True colours: Conservation of medieval manuscript illuminations

Lavishly decorated with brightly coloured illustrations and ornaments, illuminated manuscripts from the Middle Ages are a feast for the eyes. How did medieval alchemists create these long-lasting colours and what can be done to preserve them? By looking at the molecular level, scientists are getting closer to the answers.

By Maria Joao Melo

Illuminated manuscripts are the most abundant and well-preserved medieval cultural artefacts. Created to illustrate sacred scriptures, their visual structure allows the reader to identify a text’s divisions and delight in their beautiful ornamentation and iconography.

To preserve manuscript illuminations for future generations, today’s researchers are combining methods from the humanities and the natural sciences. This holistic approach results in an in-depth knowledge of the creative processes and techniques used, as well as the composition of materials and their deterioration processes.

Brilliant colours after centuries – how did people do it?

Researchers from the Department of Conservation and Restoration at the NOVA University of Lisbon have set themselves the task of finding out everything about the colours used in medieval manuscripts created by Western Europeans. In a recent article, published in Physical Sciences Reviews, they provide an overview of the latest advances in the analysis of “medieval colours”, as well as the implications for the preservation and restoration of these precious artworks.

15th century Flemish illumination depicting Alexander the Great’s third victory over Darius
15th century Flemish illumination depicting Alexander the Great’s third victory over Darius (Image: National Library of Wales)

According to chemist Dr. Maria J. Melo, advanced molecular characterization techniques such as microspectrofluorimetry are helping “to predict original colours and to understand why certain colours have remained in excellent condition, preserving both adherence and luminosity, while others have changed over the centuries.”

Over the past few years, several scientific breakthroughs have fostered a flourishing field of research and it now finally seems possible to “step inside” the workshop of a medieval illuminator. This illuminator, possibly an alchemist as well, was able to produce magnificent colours – some of which still shine brightly more than a thousand years later. With scientists catching up on this knowledge, the desire to make these colours last forever does not seem so unrealistic after all.

Read the original article here:

Maria J. Melo, Paula Nabais, Rita Araújo & Tatiana Vitorino: The conservation of medieval manuscript illuminations: a chemical perspective, 08.05.2019.

“Vision of the Lamb and of the Four Symbols” from the illuminated manuscript “The Apocalypse of Lorvão”, published 1189, currently kept at the Torre do Tombo National Archive in Lisbon (Image: Arquivo Nacional Torre do Tombo)

The Editors

Articles signed by the editors were written in a collective effort.

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